get it here | | By Alan Howard With their 22nd season now on the air, The Simpsons has turned to magic as a plot device for an episode titled “The Great Simpsina.” When Lisa is forced to run into what appears to be an empty old house, she is startled when the owner shows up. When the old man is revealed to be The Great Raymondo, a famous magician, Lisa begs to be taught the tricks of the trade. At first, Raymondo scoffs at the idea of a girl magician — “Ladies are what you saw in half and throw knives at; they never wear the hat!” But when Lisa manages to quickly link a set of rings, Raymondo relents, admitting, “If magic is not passed on, it dies.” Thus, Lisa Simpson becomes The Great Simpsina. | | | By Mark Nelson When we last left mega-illusionist Franz Harary, it was September 2010. He had just completed the exhausting production schedule for India’s Magic Star, a magic-themed reality show in which Franz served as both judge and producer of original illusion segments, struggling to keep both his sanity and the integrity of the magic featured on the series. The summertime series made Franz a household name throughout India and led to his being invited to appear at the splashy grand opening of Kingdom of Dreams, the new $300-million entertainment complex in New Delhi. “This is a dream gig,” Franz says. “I don’t foresee having this many toys to play with again for a long while.” | | | By Mark Nelson He’s magic’s invisible man, a magician whose technique is so smooth, whose style is so relaxed, that some insiders call him Mr. Natural. For several of his last thirty years as a fulltime professional magician, he lived directly across the street from the Magic Castle, always available to respond to any summons from the club to fill in for a magician’s late arrival, to provide a private show for a celebrity guest, or to perform a quick set to accommodate an overflow crowd for the club’s tiny Close-up Gallery. He’s spent most of his career living and entertaining within a few square miles of the Castle, but he has also made multiple lecture tours to Europe and Asia. And no wonder. He was brought up in the shadow of giants — Dai Vernon, Charlie Miller, Larry Jennings, Johnny Thompson, Max Maven, Johnny Pla tt and others — and after performing more than a thousand paid shows at the Castle, he’s reached the point where he’s almost more familiar to guests than the Open Sesame owl in the bookcase. | | | By Richard Hatch The Herrmanns, Houdini, Malini, Leipzig, Goldin, Lafayette, Okito, Fu Manchu, DeBiere, Dunninger, Fogel, Flosso, Ballantine — these are just a few of the iconic magicians who shared not only outstanding success in their profession but a Jewish heritage. Given the prominence of many Jewish performers in our profession, both historically and today, it is natural to assume that Jews are represented in greater numbers among magicians than in the general population. Although hardly a scientific survey, the list of the 100 magicians who most influenced 20th-century American magic, compiled by a panel of experts for MAGIC Magazine in 1999, serves as a convenient cross section and confirms the anecdotal evidence. Since Jews made up only 1.6 percent of the American population in 1900 and just 2.2 percent in 2000, one would expect just two to three of the magicians on that list to be of Jewish heritage if their representation in magic mirrored that of the general population. Instead, a whopping 18.5 are known to be of Jewish heritage (counting Teller, of the team o f Penn & Teller, as the .5). Clearly their influence on American magic far outweighs their numbers in the general population. | | | Wondering where to go to see magic friends, shows, contests, and more? Compare and contrast a years worth of upcoming gatherings with our annual at-a-glance guide to magic conventions around the world. | | | Centered around the 2009 Teen Stage Competition at the World Magic Seminar, Make Believe is a film documentary that follows contestants on their road to the Las Vegas stage. The teenage conjurors followed by the cameras are Hiroki Hara of Japan; Bill Koch, Krystyn Lambert, and Derek McKee of the US; and Siphiwe Fangase and Nkumbuzo Nkonyana from South Africa. Families, friends, teachers, and some of their magic idols, including Lance Burton, Jeff McBride, and Eugene Burger, are interviewed along the way. Make Believe will have its television debut this month and is slated for limited theatrical release in May. | | | When the 34th edition of the World Magic Seminar convened in Las Vegas at the end of February, the People’s Ch oice International Challenge stage competition was one of the highlights. Seven acts from across Europe, Asia, and the Americas competed on the afternoon of Tuesday, March 1. At the awards the next day, the winner of the Siegfried & Roy Golden Lion award took home a check for $5,000. | | | Each week on the Food Network competition series Last Cake Standing [Sundays at 9 p.m.] , contestants are given a challenge to create an unusual dessert. For the April 24 episode, the bakers were given eight hours to create cakes that were themselves an illusion or could be performed as a trick for a live audience. | | | During the past ten years, thanks to a few brave entrepreneurs, annual magic festivals have been springing up in dozens of cities across Spain. They range from one or two shows in a small theater to weeklong events that take over the city, expanding into streets, bars, hospitals, and even store windows. This raises the question: why hasn’t there been a magic festival in the capital city of Madrid? No one wondered more than Madrid native Jorge Blass, who at the age of thirty has gained significant fame in Spain through his numerous television series and theater shows. His attempts to start this festival began six years ago. | | | The independent film Desperate Acts of Magic, “a comedy about the crazy world of magic,” follows the fictional Jason Kant and his associates as they travel through life and show business. The movie, currently in production, was written by Joe Tyler Gold, who has been a magician since the age of thirteen and based much of the film on his own life experiences. | | | Coverage of The Shadow Cutter, a fictional play based on the life and obsessions of Dai Vernon, and a sad farewell one of the most prominent figures in the magic collecting world, Dr. Bob Albo. | | | Eighteen products are reviewed this month by Peter Duffie, Gabe Fajuri , Brad Henderson, Will Houston, John Lovick, and Francis Menotti: Darwin Ortiz: Nothing But the Best
Frappe Encore by Dominique Duvivier
Travelogue by Richard Pinner
The Test Book-Book Test
The Origami Effect by Andrew Mayne
Flaunt: Isolated Card Rise by Titanas
The Orbit Spread by Bill Perkins
Further Education with John Archer
Programmes of Famous Magicians by Max Holden
Sharps and Flats by John Nevil Maskelyne
Incandescence by Chris Philpott
Psychoportation by Devin Knight
Rizer by Eric Ross
The Modern Escape Artist’s Handbook by Jonathan Goodwin
Truly Monopolized by Jeffrey Bloom
The 52 vs. Joker Project by Gary Jones & Chris Congreave
Nailed! by Gerry Frenette
The Red Herring | | | In this Frank Fogg one-man issue, we detail effects with cards, coins, and lighters. Frank’s material is technically demanding but rarely uses a table. We’ll be treated to two visual sandwich effects, name-a-card tricks, and a bizarre effect called Ink in which a spectator’s signature is removed from a ca rd in phases. | | | Nicola to Carter
Will Nicola and Charles Carter were cut from the same cloth. They both made multiple trips around the world while presenting a full-evening illusion show. They were competitors in every sense of the word, each striving to build the biggest and best show, and each trying as hard as he could to reach foreign countries and cities before the other. And yet, these two globetrotting illusionists were dear friends. | | | Coffee Break
After folding a coffee stir stick into a pastry bag, you and the spectator break it three to five times. They hear and feel the breakage. When you open the bag, it is fully restored. Or was it really ever broken in the first place? | | | Norm Nielsen
I’ve just spent the week at World Magic Seminar, watching the teen contestants perform their magic. It is nerve-wracking getting up in front of some of the finest magicians in the world to show your stuff. When we get nervous, we have a tendency to rush things. Actually, that applies to most of us, not just the teens. There was a lot of what I call “jumping the reaction,” or reacting as the magic happens, without allowing the time for the brain to process the picture. < /p> | | | | |
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